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“There is just no way you’re the pine scented air”
May 22nd, 2011 by alexfaye

I went to see Billy Collins read  the other night.  He’s a favorite of mine, and I guess most people who pay attention to poetry have heard something by former US Poet Laureate Billy Collins — he’s straight forward, sweet, funny and observant.
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I had read this poem before, but I came to appreciate it more after hearing him talk about it and read it.  In the poem “Litany,” Collins is poking gentle fun of love poetry that (over)uses imagery from nature to describe the beloved.  Shakespeare did this too when he wrote Sonnet 130, “My mistress’ eyes are nothing like the sun…”  So Billy Collins is continuing in this tradition, and he took the first two lines from a poem, and explained that he, “rewrote the poem, as a courtesy …something that poets must do for one another from time to time.”
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You are the bread and the knife,
The crystal goblet and the wine…
-Jacques Crickillon

You are the bread and the knife,
the crystal goblet and the wine.
You are the dew on the morning grass
and the burning wheel of the sun.
You are the white apron of the baker,
and the marsh birds suddenly in flight.

However, you are not the wind in the orchard,
the plums on the counter,
or the house of cards.
And you are certainly not the pine-scented air.
There is just no way that you are the pine-scented air.

It is possible that you are the fish under the bridge,
maybe even the pigeon on the general’s head,
but you are not even close
to being the field of cornflowers at dusk.

And a quick look in the mirror will show
that you are neither the boots in the corner
nor the boat asleep in its boathouse.

It might interest you to know,
speaking of the plentiful imagery of the world,
that I am the sound of rain on the roof.

I also happen to be the shooting star,
the evening paper blowing down an alley
and the basket of chestnuts on the kitchen table.

I am also the moon in the trees
and the blind woman’s tea cup.
But don’t worry, I’m not the bread and the knife.
You are still the bread and the knife.
You will always be the bread and the knife,
not to mention the crystal goblet and–somehow–the wine.

And now, the real reason that I am posting this here — something that will make me happy for the rest of my life.
——–
ADDENDUM:  Actually, watching this is a poignant reminder of impermanence.   It’s been almost 18 months since this child’s mother recorded that video.  This boy is gone — along with his unique, heart rending pronunciation of “grass,” “shooting star,” “moon,” “trees,” and “teacup.”  One reason I listen to this is to hear his voice say to me, “But don’t worry…”  And then I reflect on impermanence.
Literary tattoos
Aug 1st, 2009 by alexfaye

IMG_0071Well, on my 52nd birthday, I’m getting my second tattoo — I’m thinking of two different poems.

Conscientious Objector, Edna St. Vincent Millay

I shall die, but
that is all that I shall do for Death.

I hear him leading his horse out of the stall;
I hear the clatter on the barn-floor.
He is in haste; he has business in Cuba,
business in the Balkans, many calls to make this morning.
But I will not hold the bridle
while he clinches the girth.
And he may mount by himself:
I will not give him a leg up.

Though he flick my shoulders with his whip,
I will not tell him which way the fox ran.
With his hoof on my breast, I will not tell him where
the black boy hides in the swamp.
I shall die, but that is all that I shall do for Death;
I am not on his pay-roll.

I will not tell him the whereabouts of my friends
nor of my enemies either.
Though he promise me much,
I will not map him the route to any man’s door.
Am I a spy in the land of the living,
that I should deliver men to Death?
Brother, the password and the plans of our city
are safe with me; never through me Shall you be overcome.

————

The next one is a lifetime favorite; I know this e.e. cummings poem by heart.

dive for dreams
or a slogan my topple you
(trees are their roots
and wind is wind)

trust your heart
if the seas catch fire
(can live by love
though the stars walk backward)

IMG_0077

honor the past
but welcome the future
(and dance your death
away at this wedding)

never mind a world
with its villains and heroes
(for god loves girls and tomorrow
and the earth)

The lines that are in bold are the lines may end up inked on my collar bone or my arm…still trying to decide.  A third choice may emerge.  I always have loved that angry Margaret Atwood poem:

We fit together/like a hook and eye/a fish hook/an open eye

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